With nature now cast as a machine, devoid of mystery or divinity, its component parts could be dammed, extracted, and remade with impunity. Nature still sometimes appeared as a woman, but one easily dominated and subdued. Sir Francis Bacon best encapsulated the new ethos when he wrote in the 1623 De dignitate et augmentis scientiarum that nature is to be "put in constraint, moulded, and made as it were new by art and the hand of man."