And, oddly enough, even at times when the current style permitted a treatment of the less epileptic aspects of religion, no fully adequate rendering of the contemplative life was ever achieved in the plasdc arts of Christendom. The peace that passes all understanding was often sung and spoken; it was hardly ever painted or carved. Thus, in the writings of St. Bernard, of Albertus Magnus, of Eckhart and Tauler and Ruysbroeck one may find passages that express very clearly the nature and significance of mystical contemplation. But the saints who figure in medieval painting and sculpture tell us next to nothing about this anticipation of the beatific vision. There are no equivalents of those Far Eastern Buddhas and Bodhisattvas who incarnate, in stone and paint, the experience of ultimate reality.