But the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.
A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language ... not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.
The young have exalted notions, because they have not been humbled by life or learned its necessary limitations; moreover, their hopeful disposition makes them think themselves equal to great things—and that means having exalted notions. They would always rather do noble deeds than useful ones: Their lives are regulated more by moral feeling than by reasoning.... All their mistakes are due to excess and vehemence and their neglect of the maxim of Chilon [The maxim was Μηδὲν ἄγαν, Ne quid nimis, Never go to extremes.]. They overdo everything; they love too much, hate too much, and the same with everything else. And they think they know everything, and confidently affirm it, and this is the cause of their excess in everything.
