Neither reason nor faith will ever die; for men would die if deprived of either. The wildest mystic uses his reason at some stage; if it be only by reasoning against reason. The most incisive sceptic has dogmas of his own; though when he is a very incisive sceptic, he has often forgotten what they are. Faith and reason are in this sense co-eternal; but as the words are popularly used, as loose labels for particular periods, the one is now almost as remote as the other. What was called the Age of Reason has vanished as completely as what are called the Ages of Faith.
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[http://www.cse.dmu.ac.uk/~mward/gkc/books/anti_religious_thought.txt Anti-Religious Thought In The Eighteenth Century]; first published in "An Outline of Christianity: The Story of our Civilization", Vol. IV, Christianity and Modern Thought (1926)
Earnest Freethinkers need not worry themselves so much about the persecutions of the past. Before the Liberal idea is dead or triumphant we shall see wars and persecutions the like of which the world has never seen.
There is only one thing that it requires real courage to say, and that is a truism.
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[http://books.google.com/books?id=PLpLAAAAMAAJ&q="There+is+only+one+thing+that+it+requires+real+courage+to+say+and+that+is+a+truism"&pg=PA17#v=onepage G. F. Watts] (1904)
The centre of every man's existence is a dream. Death, disease, insanity, are merely material accidents, like toothache or a twisted ankle. That these brutal forces always besiege and often capture the citadel does not prove that they are the citadel.
Reason is always a kind of brute force; those who appeal to the head rather than the heart, however pallid and polite, are necessarily men of violence. We speak of 'touching' a man's heart, but we can do nothing to his head but hit it.
The truth is that Tolstoy, with his immense genius, with his colossal faith, with his vast fearlessness and vast knowledge of life, is deficient in one faculty and one faculty alone. He is not a mystic; and therefore he has a tendency to go mad. Men talk of the extravagances and frenzies that have been produced by mysticism; they are a mere drop in the bucket. In the main, and from the beginning of time, mysticism has kept men sane. The thing that has driven them mad was logic. ... The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism — the belief that logic is misleading, and that things are not what they seem.
One of the deepest and strangest of all human moods is the mood which will suddenly strike us perhaps in a garden at night, or deep in sloping meadows, the feeling that every flower and leaf has just uttered something stupendously direct and important, and that we have by a prodigy of imbecility not heard or understood it. There is a certain poetic value, and that a genuine one, in this sense of having missed the full meaning of things. There is beauty, not only in wisdom, but in this dazed and dramatic ignorance.
The journalists would appear to be in an almost literal sense the priests of the modern world. They may not rise precisely to the tremendous responsibility which was laid upon Peter, but at least it can be said that whatever they bind on earth is bound on earth, and whatever they loose on earth is loosed on earth. They have essentially and absolutely the same functions that were employed by the old priests, but their power for deceit is even greater and their responsibility to the world even less. A comparison between the priests and the journalists would be striking in many points. [...] The priest's influence and power consisted almost entirely in the fact that he was the only man who brought news. [...] the corruption of the priesthood occurred at the precise moment in which it changed from a minority organised to impart knowledge into a minority organised to withhold it. The great danger of decadence in journalism is almost exactly the same. Journalism possesses in itself the potentiality of becoming one of the most frightful monstrosities and delusions that have ever cursed mankind. This horrible transformation will occur at the exact instant at which journalists realise that they can become an aristocracy.
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"The New Priests", in The Speaker, vol. 4 (Mather & Crowther, 1901) [https://books.google.com/books?id=v6-RGg0qKpsC&pg=PA551&dq=%22Journalism+possesses+in+itself+the+potentiality+of+becoming+one+of+the+most+frightful+monstrosities%22&hl=en&newbks=1&newbks
When fishes flew and forests walked And figs grew upon thorn,Some moment when the moon was blood Then surely I was born. With monstrous head and sickening cry And ears like errant wings, The devil’s walking parody On all four-footed things.
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"The Donkey", sts. 1 and 2. The Wild Knight, and Other Poems (1900)
I think that if they gave me leave, Within the world to stand, I would be good through all the day I spent in fairyland. They should not hear a word from me, Of selfishness or scorn, If only I could find the door, If only I were born.
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"By the Babe Unborn", sts. 5 and 6. The Wild Knight, &c., 2nd ed. (1906)
Among the rich you will never find a really generous man even by accident. They may give their money away, but they will never give themselves away; they are egotistic, secretive, dry as old bones. To be smart enough to get all that money you must be dull enough to want it.
Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots.
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Appreciations and Criticisms of the Works of Charles Dickens (1911) Ch. 6: "Old Curiosity Shop"
The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists, as the mother can love the unborn child.
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Appreciations and Criticisms of the Works of Charles Dickens (1911) Ch. 2: "Pickwick Papers"
When people impute special vices to the Christian Church, they seem entirely to forget that the world (which is the only other thing there is) has these vices much more. The Church has been cruel; but the world has been much more cruel. The Church has plotted; but the world has plotted much more. The Church has been superstitious; but it has never been so superstitious as the world is when left to itself.
The riddle of life is simply this: For some mad reason in this mad world of ours, the things which men differ about most are exactly the things about which they must be got to agree. Men can agree on the fact that the earth goes round the sun. But then it does not matter a dump whether the earth goes around the sun or the Pleiades. But men cannot agree about morals: sex, property, individual rights, fixity and contracts, patriotism, suicide, public habits of health – these are exactly the things that men tend to fight about. And these are exactly the things that must be settled somehow on strict principles. Study each of them, and you will find each of them works back certainly to a philosophy, probably to a religion.
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"Our Notebook", in The Illustrated London Times (2 March 1907) p. 324, col. 3
The object of a ceremony is not to be beautiful, though that is a valuable element. The object of a ceremony is to be ceremonious. Ritual is a need of the human soul — nay, it is rather a need of the human body, like exercise. A man does not take off his hat to a lady because he looks nicer without it; the instance of bald men would be alone sufficient to upset such an explanation. He does it because you must positively do something when you meet a lady, or your whole civilisation goes to pieces; and taking off your hat is easier than taking off your necktie or lying face downwards on the pavement.
Fine weather encourages individualism. When the whole glittering landscape is cut out as clear as a map—indented by the blue sky as by a blue sea, then each one of us wishes to take his own way, to walk by himself along the roads of the world and conquer for himself the cities of the morning. In the sunlight a man asks for liberty, which is only the divine name for loneliness. But it is in black and bleak conditions that we learn that it is not well for man to be alone; and festivity was discovered in the darkness. Winter encourages that thing called comradeship which modern humanitarians so often seem unable to understand, but which Walt Whitman so wisely perceived to be the permanent foundation of democracy.
In our time the blasphemies are threadbare. Pessimism is now patently, as it always was essentially, more commonplace than piety. Profanity is now more than an affectation — it is a convention. The curse against God is Exercise I in the primer of minor poetry.
Round the birth of "Pickwick" broke one of those literary quarrels that were too common in the life of Dickens.... He turned people into mortal enemies whom he might have turned very easily into immortal jokes.
The pessimists are aristocrats like Byron; the men who curse God are aristocrats like Swinburne. But when those who starve and suffer speak for a moment, they do not profess merely an optimism, they profess a cheap optimism; they are too poor to afford a dear one. They cannot indulge in any detailed or merely logical defence of life; that would be to delay the enjoyment of it. These higher optimists, of whom Dickens was one, do not approve of the universe; they do not even admire the universe; they fall in love with it. They embrace life too close to criticize or even to see it. Existence to such men has the wild beauty of a woman, and those love her with most intensity who love her with least cause.
As a fact, there is no shred of evidence to show that those who have had sad experiences tend to have a sad philosophy. There are numberless points upon which Dickens is spiritually at one with the poor, that is, with the great mass of mankind. But there is no point in which he is more perfectly at one with them than in showing that there is no kind of connection between a man being unhappy and a man being pessimistic. Sorrow and pessimism are indeed, in a sense, opposite things, since sorrow is founded on the value of something, and pessimism upon the value of nothing.
Dickens had all his life the faults of the little boy who is kept up too late at night. The boy in such a case exhibits a psychological paradox; he is a little too irritable because he is a little too happy. Dickens was always a little too irritable because he was a little too happy. Lie the over-wrought child in society, he was splendidly sociable, and yet suddenly quarrelsome.
The fierce poet of the Middle Ages wrote, "Abandon hope, all ye who enter here," over the gates of the lower world. The emancipated poets of to-day have written it over the gates of this world.
No man encouraged his characters so much as Dickens. "I am an affectionate father," he says, "to every child of my fancy." He was not only an affectionate father, he was an overindulgent father. The children of his fancy are spoilt children. They shake the house like heavy and shouting schoolboys; they smash the story to pieces like so much furniture.
We are then able to answer in some manner the question, "Why have we no great men?" We have no great men chiefly because we are always looking for them. We are connoisseurs of greatness, and connoisseurs can never be great; we are fastidious, that is, we are small. When Diogenes went about with a lantern looking for an honest man, I am afraid he had very little time to be honest himself. And when anybody goes about on his hands and knees looking for a great man to worship, he is making sure that one man at any rate shall not be great.
For religion all men are equal, as all pennies are equal, because the only value in any of them is that they bear the image of the King.... It has often been said, very truly, that religion is the thing that makes the ordinary man feel extraordinary; it is an equally important truth that religion is the thing that makes the extraordinary man feel ordinary.
It is the custom in our little epoch to sneer at the middle classes. Cockney artists profess to find the bourgeoisie dull; as if artists had any business to find anything dull. Decadents talk contemptuously of its conventions and its set tasks; it never occurs to them that conventions and set tasks are the very way to keep that greenness in the grass and that redness in the roses--which they have lost forever.
The public does not like bad literature. The public likes a certain kind of literature and likes that kind of literature even when it is bad better than another kind of literature even when it is good.
It is not funny that anything else should fall down; only that a man should fall down. No one sees anything funny in a tree falling down. No one sees a delicate absurdity in a stone falling down. No man stops in the road and roars with laughter at the sight of the snow coming down. The fall of thunderbolts is treated with some gravity. The fall of roofs and high buildings is taken seriously. It is only when a man tumbles down that we laugh. Why do we laugh? Because it is a grave religious matter: it is the Fall of Man. Only man can be absurd: for only man can be dignified.