The artist is the person who invents the means to bridge biological inheritance and the environments created by technological innovation.

Radical changes of identity, happening suddenly and in very brief intervals of time, have proved more deadly and destructive of human values than wars fought with hardware weapons.

It is always the psychic and social grounds, brought into play by each medium or technology, that readjust the balance of the hemispheres and of human sensibilities into equilibrium with those grounds.

Cultural dominance by either the left or the right hemisphere is largely dependent upon environmental factors.

Technologies themselves, regardless of content, produce a hemispheric bias in the users.

While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.

Newton, and 'proper scientific method' after him, conducted attention to 'continuous description' of experimental phenomena instead of to causes.

The audience, as ground, shapes and controls the work of art.

Once introduced discontinuity, once challenge any of the properties of visual space, and as they flow from each other, the whole conceptual framework collapses.

Relativity theory forced the abandonment, in principle, of absolute space and absolute time.